Frankenstein A Sea Of Emotions Essay - 1383 Words

Frankenstein: A Sea of Emotions The use of the strength of emotions in her classic novel Frankenstein empowered Mary Shelley to build a strong connection with its readers and rule their hearts for hundreds of years today. Shelley beautifully incorporated different feelings into her writing to provide visualization of events as the readers read through pages and feel the true essence of the characters’ sensations. Some of the emotions depict the tragedies of Shelley’s own life, thus adding life to the story. In short, Shelley’s Frankenstein is an emotional roller coaster covering a wide range of human emotions from joy and sorrow to hatred and revenge, and highlighting how different experiences of lives modify these sentiments into one another. Primarily, ambitions played a driving force in the novel. Victor, the protagonist enthralled by the mystery of life became involved in a long, desperate struggle of creating a life. He got so excessively engaged in pursuing his ambition that he ignored his loveable family, health, and the consequences of his exertion. â€Å"Victor does not consider the consequences of his research, and he does not take responsibility for them when they are tragic† ( Goodwin). However, this enthusiastic madness and lack of judgment quickly transitioned into terror and guilt when he saw the result of his experimental-creation of a hideous creature. â€Å"The different accidents of life are not so changeable as the feelings of human nature. I had worked hard forShow MoreRelatedFrankenstein And Morality By Victor Frankenstein1259 Words   |  6 PagesFrankenstein and Morality When Victor Frankenstein was in the two year long process of creating his monster you have to think about what his personal morals were, principles concerning the distinction between right and wrong or good and bad behavior. Everyone has varying personal morals. Dr. Frankenstein goes against the morals of a medical doctor when he wastes his life away slaving over his experiment. He also tries playing God when he sparks the life back into the stitched together corpseRead MoreThe Rime Of The Ancient Mariner878 Words   |  4 Pageslanguage differed from romantic poetry’s use of modern language of the time, it is still considered influential within the romanticism movement (Green). The poem’s influence in British Romanticism affected later authors and other works, including Frankenstein, by Mary Shelley. Samuel Taylor Coleridge was born in England on October 21, 1772 (Poet Samuel Taylor Coleridge). Coleridge began his education with the pursuit of becoming a Clergyman, which was his father’s wish. He soon changed subjects inRead MoreMary Shelley s Frankenstein - Original Writing1489 Words   |  6 Pageswas free, and there was none to lament my annihilation†¦ What did this mean? Who was I? What was I? Whence did I come? What was my destination? These questions continually recurred, but I was unable to solve them (Mary Shelley’s Frankenstein).† Mary Shelley’s book, Frankenstein, parallels her own experiences. Shelley’s mother died in childbirth, and she was left â€Å"dependent on none and related to none.† Her father, William Godwin, abandoned his daughter emotionally when he remarried a woman who treatedRead MoreNegative Discovery Of Frankenstein1636 Words   |  7 PagesThe Frankenstein that Mary Shelley wrote about changed the perception of the story that was told to me when I was growing up and saw on television. Throughout my childhood, Frankenstein was depicted as a stiff, giant, clumsy monster with a hideous face, scarred green body and with plugs protruding from his neck. Upon reading Frankenstein, I started to view him not as a monster but as someone who was born into a tragic life full of hardships due to his appearance and not his personality. The bookRead MoreAnalysis Of Mary Shelley s Frankenstein1431 Words   |  6 PagesMutability of Man Man changes all the time. His emotions, state in life, body figure and even peace of mind can change in a matter of moments. In Mary Shelley’s Frankenstein, one of the themes expressed repeatedly is the mutability of the state of man. Victor Frankenstein emotions and states of life change many times in this novel. Mary Shelley uses Victor Frankenstein to show the audience that the only thing that does not change is the fact that human beings are always changing. Some of these changesRead MoreFrankenstein : The Way Frankenstein, And His Creation1275 Words   |  6 PagesShelly’s novel is the way Frankenstein, and his creation, are controlled by their emotions. Frankenstein is continually ruled by his feelings of fear, guilt, and love throughout the novel. For instance, he works for nearly two years to accomplish his goal of creating life, only to immediately flee because of fear when his work comes to life. This was a major illustration for the reader that despite being an experienced scientist Frankenstein was still ruled by emotions. In a large portion ofRead MoreMary Shelley s Frankenstein And The Monster1051 Words   |  5 Pages1.) FRANKENSTEIN 2.) Mary Shelley 3.) Horror Fiction, Tragedy, Romantic, Science Fiction 4.) March 11th, 1816 5.) The setting throughout Frankenstein is during the 18th century in Europe and the North Pole during the â€Å"Romanticism† time period. Romanticism was mostly centered on nature, human emotions, tolerance of humanity, and freedom. The setting of this time period has an effect on the characters, such as Victor Frankenstein because as he ventures off from Geneva, to the Alps, France, EnglandRead MoreMary Shelley s Frankenstein - Original Writing1146 Words   |  5 Pageswas free, and there was none to lament my annihilation†¦ What did this mean? Who was I? What was I? Whence did I come? What was my destination? These questions continually recurred, but I was unable to solve them (Mary Shelley’s Frankenstein).† Mary Shelley’s book, Frankenstein, parallels her own experiences. Shelley’s mother died in childbirth, and she was left â€Å"dependent on none and related to none.† Her father, William Godwin, abandoned his daughter emotionally when he remarried a woman who treatedRead MoreHuman Emotions And The Creature1632 Words   |  7 PagesHuman Emotions and The Creature Frankenstein is a novel by Mary Shelley that challenges the reader to consider what it really means to be human, specifically when impacted by loneliness and isolation. In the opening letters of Frankenstein, Captain Robert Walton craves a real connection with someone while out at sea, and feels sad and isolated as a result. Later in the novel, Victor Frankenstein is disconnected from the outside world and feels misunderstood, so he recreates life in his isolationRead MoreEnglish Commentary on Frankenstein1449 Words   |  6 PagesIsolation in Frankenstein This passage is taken from page 119 of chapter 19 in Mary Shelley’s Frankenstein. Closing in on the ending of the novel, this passage explores the self-reflecting state of Frankenstein’s mind when in isolation on the Islands of Orkney. Fear arises as a critical emotion that strikes him during his time spent on his creation. After visiting Edinburgh and a number of other cities, Frankenstein leaves his friend Henry Clerval and settles in a remote part of the Scottish

Attitude and Appreciation of the Natural World in Gerard...

Attitude and Appreciation of the Natural World in Gerard Manley Hopkins and Henry Wadsworth Longfellows Poetry The simple beauty of nature is an aspect many of us take for granted in our everyday lives - the endearing sounds of birds welcoming another day and the powerful gush of a waterfall being some examples of these. But there are those individuals who have endeavoured to fully comprehend the marvellous complexity of the world around us. Such findings are present in the work of many poets - namely Gerard Manley Hopkins (1844 - 1889)and Henry Wadsworth Longfellow (1808 - 1882). Hopkins and Longfellow were two contemporary poets from the nineteenth century from different cultures, English and†¦show more content†¦The poem Snowflakesby Longfellow is also an expression of the poets attitude to and appreciation of the natural world. In it Longfellow describes in minute detail the subtle beauty of a single snowflake and makes us more aware not only of snow, but of the other small things surrounding us, making us realise their importance. Both poems acknowledge existence and power of a creator. In Pied Beauty a song of praise is presented in the first line of the poems triumphant, alliterative opening stanza, as Glory be to Godà ¢Ã¢â€š ¬Ã‚ ¦ immediately places Hopkins appreciation of the beauty of the natural world in a religious context. Also as the poem concludes with the exhortation Praise him it is clear that the piece is deliberately framed as a Christian hymn of thanksgiving for the infinite variety in nature. The opening line also introduces the poems theme: dappled things and this is the first of many adjectives describing parti-coloured natural elements. Snowflakes on the other hand opens with an altogether more maternal aspect of nature although the acknowledgement of a powerful creator is still present: Out of the bosomof the Air Out of the cloud-folds of her garments shaken This personification of the female form creates a Mother Earth type figure that I feel Longfellow used to successfully communicate his love and understanding of all things

Ingredients for a Love Story Free Essays

Love stories evoke some of the most powerful emotions from readers. Love is an emotion that cannot be explained in a deterministic equation. Great love stories   are works that make the reader experience something that resonates with what people desire in life. We will write a custom essay sample on Ingredients for a Love Story or any similar topic only for you Order Now Love stories remind the readers that love is something so powerful that it is worth sacrificing for. Great love stories describe what it feels like to be alone, what it feels like to meet the person who can change your life. At the end of the day, love is something worth sacrifice. Love stories show that hope can be found in an otherwise hopeless world or situation. I believe that love between two people is fundamentally a beautiful thing. Characters:   In a great love story, most people will in some way be able to relate to one of the main characters in the story. This separates a personal account from one that describes the human condition. Characters that are somewhat flawed, but otherwise good people are a great way to win over an audience. Conflict:   No great love story is described without conflict. The conflict must not be overwhelming that it overtakes the importance of the story. Too much conflict turns the story into a something that is situational driven and plot driven as opposed to character driven. Sacrifice:  Nobody should be able to have it all in life. Why? People cannot relate to perfection because people are flawed. The sacrifice in the story, while may be exaggerated from a literal perspective, should feel like something people have felt in there life from an emotional level. This will draw the attention of the reader to feel what they felt in their life. Great love stories will describe the perfect sacrifice, with some mistakes included. Plot:  A great love story is the perfect blend of plot and emotion. It is difficult to fully engage a reader without a plot. It’s almost impossible to build tension between characters if the plot is the main driving force of the story. Great love stories straddle the harmony between people and the events that happen to them. Concluding Thoughts:  Ã‚  I’ve tried to describe what a great love story is in the abstract sense in this answer. For concrete examples of some great examples of some truly great love stories and what makes them great see  Cristina Hartmann’s and  Anon User’s answers to  Literature: What are some of the great love stories in literary history? When they wake up on their wedding morning, Romeo is prepared to stay as long as Juliet wants, at the risk of his life. Juliet is prepared to risk dying from the potion in order to have a chance of living with Romeo. How to cite Ingredients for a Love Story, Essay examples

conrad.txt Essay Example For Students

conrad.txt Essay TEXTR*chw,w,2LInterpretations of Heart of DarknessIn Joseph Conrads Heart of Darkness, there is a great interpretation of the feelings of the characters and uncertainties of the Congo. Although Africa, nor the Congo are ever really referred to, the Thames river is mentioned as support. This intricate story reveals much symbolism due to Conrads theme based on the lies and good and evil, which interact together in every man. Today, of course, the situation has changed. Most literate people know that by probing into the heart of the jungle Conrad was trying to convey an impression about the heart of man, and his tale is universally read as one of the first symbolic masterpieces of English prose (Graver,28). In any event, this story recognizes primarily on Marlow, its narrator, not about Kurtz or the brutality of Belgian officials. Conrad wrote a brief statement of how he felt the reader should interpret this work:My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel-it is above all, to make you see.(Conrad 1897)Knowing that Conrad was a novelist who lived in his work, writing about the experiences were as if he were writing about himself. Every novel contains an element of autobiography-and this can hardly be denied, since the creator can only explain himself in his creations.(Kimbrough,158) The story is written as seen through Marlows eyes. Marlow i s a follower of the sea. His voyage up the Congo is his first experience in freshwater navigation. He is used as a tool, so to speak, in order for Conrad to enter the story and tell it out of his own philosophical mind. He longs to see Kurtz, in the hopes of appreciating all that Kurtz finds endearing in the African jungle. Marlow does not get the opportunity to see Kurtz until he is so disease-stricken he looks more like death than a person. There are no good looks or health. In the story Marlow remarks that Kurtz resembles an animated image of death carved out of old ivory. Like Marlow, Kurtz is seen as an honorable man to many admirers; but he is also a thief, murderer, raider, persecutor, and above all he allows himself to be worshipped as a god. Both men had good intentions to seek, yet Kurtz seemed a universally genius lacking basic integrity or a sense of responsibility (Roberts,43). In the end they form one symbolic unity. Marlow and Kurtz are the light and dark selves of a single person. Meaning each one is what the other might have been. Every person Marlow meets on his venture contributes something to the plot as well as the overall symbolism of the story. Kurtz is the violent devil Marlow describes at the storys beginning. It was his ability to control men through fear and adoration that led Marlow to signify this. Throughout the story Conrad builds an unhealthy darkness that never allows the reader to forget the focus of the story. At every turn he sees evil lurking within the land. Every image reflects a dreary, blank one. The deadly Congo snakes to link itself with the sea and all other rivers of darkness and light, with the tributaries and source of mans being on earth (Dean,189). The setting of these adventurous and moral quests is the great jungle, in which most of the story takes place. As a symbol the forest encloses all, and in the heart of the African journey Marlow enters the dark cavern of his won heart. It even becomes an image of a vast catacomb of evil, in which Kurtz dies, but from which Marlow emer ges spiritually reborn. The manager, in charge of three stations in the jungle, feels Kurtz poses a threat to his own position. Marlow sees how the manager is deliberately trying to delay any help or supplies to Kurtz. He hopes he will die of neglect. This is where the inciting moment of the story lies. Should the company in Belgium find out the truth a bout Kurtzs success in an ivory procurer, they would undoubtedly elevate him to the position of manager. The managers insidious and pretending nature opposes all truth (Roberts,42). .u52a4b3ff6710576cf35c0654bae3a1ef , .u52a4b3ff6710576cf35c0654bae3a1ef .postImageUrl , .u52a4b3ff6710576cf35c0654bae3a1ef .centered-text-area { min-height: 80px; position: relative; } .u52a4b3ff6710576cf35c0654bae3a1ef , .u52a4b3ff6710576cf35c0654bae3a1ef:hover , .u52a4b3ff6710576cf35c0654bae3a1ef:visited , .u52a4b3ff6710576cf35c0654bae3a1ef:active { border:0!important; } .u52a4b3ff6710576cf35c0654bae3a1ef .clearfix:after { content: ""; display: table; clear: both; } .u52a4b3ff6710576cf35c0654bae3a1ef { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u52a4b3ff6710576cf35c0654bae3a1ef:active , .u52a4b3ff6710576cf35c0654bae3a1ef:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u52a4b3ff6710576cf35c0654bae3a1ef .centered-text-area { width: 100%; position: relative ; } .u52a4b3ff6710576cf35c0654bae3a1ef .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u52a4b3ff6710576cf35c0654bae3a1ef .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u52a4b3ff6710576cf35c0654bae3a1ef .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u52a4b3ff6710576cf35c0654bae3a1ef:hover .ctaButton { background-color: #34495E!important; } .u52a4b3ff6710576cf35c0654bae3a1ef .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u52a4b3ff6710576cf35c0654bae3a1ef .u52a4b3ff6710576cf35c0654bae3a1ef-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u52a4b3ff6710576cf35c0654bae3a1ef:after { content: ""; display: block; clear: both; } READ: DRESS CODES EssayThis story can be the result of two completely different aspects in Conrads life. One being his journey in the Congo. Conrad had a childhood wish associated with a disapproved childhood ambition to go to sea. Another would be an act of man to throw his life away. Thus, the adventurous Conrad and Conrad the moralist may have experienced collision. But the collision, again as with many novelists of the second war, could well have been deferred and retrospective, not felt intensely at the time (Kimbrough,124). Heart of Darkness is a record of things seen and done, Then it was ivory that poured from the heart of darkness; now it is uranium. There were so many actual events and facts in the story it made it more an enormity than entertaining. His confrontations as a man are both dangerous and enlightening. Perhaps mans inhumanity to man is his greatest sin. And since the story closes with a lie, maybe Conrad was discovering and analyzing the two aspects of truth-black truth and white truth. Both, of which, are inherent in every human soul. 4http://206.72.136.210:80/papers/english/conrad.txt